16 days ago | By Observer
The second act of Bellini's Norma contains two dramatic twists-one an act of solidarity and the other an act of self-immolation.
After revealing that Druid priestesses Norma and Adalgisa are each secretly in love with Roman proconsul Pollione, the plot hinges on what the women will do next: Will they turn on each other? And will Norma pull a Medea, as suggested by the myth that haunts the opera, killing her children and her lover's new flame?
Norma-largely through the esprit de corps shown by the young acolyte Adalgisa-ultimately escapes Medea's turn to outward destruction. If Medea is a...
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