Fashion > Look

Iris van Herpen Haute Couture Spring 2018

10 monthes ago   |   By WWD

Having wound down her ready-to-wear line a couple of seasons ago to focus on “new couture” and accessories, conquering the frontiers of sartorial expression without sliding into sci-fi costume territory has been a delicate balancing act for Iris van Herpen.
This season, presenting a serene, more wearable collection, she pulled it off.
Despite the labor-intensive nature of the clothes - albeit often involving machines, with the opening Foliage dress requiring 260 hours of 3-D printing and endless other high-tech processes - there was an immateriality to the collection.
The designer stuck to...
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Dior's Spring 2018 Couture Collection Was a Mod Tribute to Black and White

Dior's Spring 2018 Couture Collection Was a Mod Tribute to Black and White

10 monthes ago   |   By Fashionista

Last March, Maria Grazia Chiuri debuted her sophomore ready-to-wear collection for Dior in which each look, all 68 of them, was navy. It was, in theory, a noble concept. But Cathy Horyn, for one, noted that the range fell flat, writing that the show's all-navy focus seemed to exist "for...
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Schiaparelli

Schiaparelli

10 monthes ago   |   By Models

Schiaparelli Haute Couture Spring 2018 Show
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Dior

Dior

10 monthes ago   |   By Models

Dior Haute Couture S/S 2018 Show
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Iris van Herpen

Iris van Herpen

10 monthes ago   |   By Models

Iris van Herpen Haute Couture Spring 2018
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Schiaparelli Haute Couture Spring 2018

10 monthes ago   |   By WWD

How is it that in 2018, an African reference on a catwalk looks like a bold statement? Bertrand Guyon said his spring couture display for Schiaparelli was a nod to founder Elsa Schiaparelli's Pagan Collection of 1938, best known for its Surrealist beetle necklace and gold leaf embroidery.
His modern-day interpretation ranged from blouses embroidered with bugs or trimmed with feathers, embellished safari jackets worn belted over shorts, and ethereal gowns with beaded or embroidered designs evoking a fantasy jungle.
“It was an evocation of an imaginary voyage - a Renaissance-era Lady from...
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